Mr. Blake,—I must endeavor to pay some of my debts to you. To begin where we left off, then.
The presumption is that we are always the same; our opportunities, and Nature herself, fluctuating. Look at mankind. No great difference between two, apparently; perhaps the same height, and breadth, and weight; and yet, to the man who sits most east, this life is a weariness, routine, dust and ashes, and he drowns his imaginary cares (!) (a sort of friction among his vital organs) in a bowl. But to the man who sits most west, his contemporary (!), it is a field for all noble endeavors, an elysium, the dwelling-place of heroes and demigods. The former complains that he has a thousand affairs to attend to; but he does not realize that his affairs (though they may be a thousand) and he are one.
Men and boys are learning all kinds of trades but how to make men of themselves. They learn to make houses; but they are not so well housed, they are not so contented in their houses, as the woodchucks in their holes. What is the use of a house if you haven't got a tolerable planet to put it on?—if you cannot tolerate the planet it is on? Grade the ground first. If a man believes and expects great things of himself, it makes no odds where you put him, or what you show him (of course you cannot put him anywhere, nor show him anything), he will be surrounded by grandeur. He is in the condition of a healthy and hungry man, who says to himself,—How sweet this crust is! If he despairs of himself, then Tophet is his dwelling-place, and he is in the condition of a sick man who is disgusted with the fruits of finest flavor.
Whether he sleeps or wakes,—whether he runs or walks,—whether he uses a microscope or a telescope, or his naked eye,—a man never discovers anything, never overtakes anything, or leaves anything behind, but himself. Whatever he says or does, he merely reports himself. If he is in love, he loves; if he is in heaven, he enjoys; if he is in hell, he suffers. It is his condition that determines his locality.
The principal, the only, thing a man makes, is his condition of fate. Though commonly he does not know it, nor put up a sign to this effect, "My own destiny made and mended here." (Not yours.) He is a master workman in the business. He works twenty-four hours a day at it, and gets it done. Whatever else he neglects or botches, no man was ever known to neglect this work. A great many pretend to make shoes chiefly, and would scout the idea that they make the hard times which they experience.
Each reaching and aspiration is an instinct with which all nature consists and coöperates, and therefore it is not in vain. But alas! each relaxing and desperation is an instinct too. To be active, well, happy, implies rare courage. To be ready to fight in a duel or a battle implies desperation, or that you hold your life cheap.
If you take this life to be simply what old religious folks pretend (I mean the effete, gone to seed in a drought, mere human galls stung by the devil once), then all your joy and serenity is reduced to grinning and bearing it. The fact is, you have got to take the world on your shoulders like Atlas, and "put along" with it. You will do this for an idea's sake, and your success will be in proportion to your devotion to ideas. It may make your back ache occasionally, but you will have the satisfaction of hanging it or twirling it to suit yourself. Cowards suffer, heroes enjoy. After a long day's walk with it, pitch it into a hollow place, sit down and eat your luncheon. Unexpectedly, by some immortal thoughts, you will be compensated. The bank whereon you sit will be a fragrant and flowery one, and your world in the hollow a sleek and light gazelle.
Where is the "unexplored land" but in our own untried enterprises? To an adventurous spirit any place—London, New York, Worcester, or his own yard—is "unexplored land," to seek which Frémont and Kane travel so far. To a sluggish and defeated spirit even the Great Basin and the Polaris are trivial places. If they can get there (and, indeed, they are there now), they will want to sleep, and give it up, just as they always do. These are the regions of the Known and of the Unknown. What is the use of going right over the old track again? There is an adder in the path which your own feet have worn. You must make tracks into the Unknown. That is what you have your board and clothes for. Why do you ever mend your clothes, unless that, wearing them, you may mend your ways? Let us sing.
Next: Concord, August 3, 1860
Monadnock Valley Press > Thoreau > Letters to Harrison Blake